Hey guys! Bea here!
Since much of the work I’ll be sharing over the next couple of months is commission-based, I figure, what better way to start off the Monday Morning Post, than by going into how I got started as an artist, the choices I made, good and bad, that led me to some of the people I work with today. And of course, there will be the added exposition on the artwork itself 😀
Now, I’m not that old, but I remember the early days of the internet, when you had to use dial up. There was no google, no major search engines– no blogs. But for what it did have, it opened my eyes to a world of wonder and information, beyond anything I had known before.
As I explored the world wide web, I found a wealth of artwork in various styles and forms. I was fascinated! I wanted to know where the art came from, the titles they were attached to– how I could find more of it! My searches lead me to titles like Gen 13, Neon Genesis Evangelion, Witchblade, Danger girl, and many others. But there was one comic that I grew to love so much that it made me want to become an artist myself…
I love Turner’s art– his composition, choice of colors–everything! We had no comic stores near us, and google maps was non-existent, as far as I knew, but somehow my mom managed to find a comic store almost a 30 minute drive away from home, and after my first visit, I was hooked!
I collected anything that had Turner’s name on it, but my fascination did not end there. I had to find out how they did it– specifically, how comics were colored, so I could do it too. That’s when I discovered Photoshop!
Early middle school, I’d say, I began using Photoshop to experiment with digital art. At that time, it was not a very common art form. In fact, I was nearly disqualified in some of the art contests I entered, because I was the only one using the medium, and the judges couldn’t decide if it could be considered”real” art, if there was no hard original. Far cry from today, where digital art is practically a staple in the art community, lol.
I came to rely on digital art a lot. Considering art stores were few and far between, and supplies were expensive, being able to explore different styles digitally worked well for me, and helped me to make my first steps into the world of comic book art.
That brings us to the Illustration of the day!
Grimm Fairy Tales: Mad Hatter
This is a traditional piece: One of five sketch cards that I’ll be sharing with you over the next couple of weeks from Zenescope’s Grimm Fairy Tales (Medium- Watercolor, Marker, and Color Pencil)
Steven L Frank, purveyor of premium sketch cards, as well as comic books, art books, and gig posters, who also works with Zenescope, is one of the first people to really give me a shot as an artist in comics- bringing me one step closer to an age old dream of mine, to be like the late, great, Michael Turner.
Because I want to keep things short and sweet with these posts, next Monday, Ill not only be sharing another sketch card from the collection, and but I’ll also go into how Steve and I met, and some of the moves I made, which benefited me in the long run.
Anyway, thank you for reading– I hope you liked this post, and as always, till next time, Enjoy !